The Prayer of Francois Villon

This is going out to all of my Russian readership. Here is Regina Spektor with a faithful and passionate reading of a classic by the Georgian bard Bulat Okudzhava. Right now, Regina Spektor’s best known piece of work is the theme song for Orange is the New Black. She may never be able to shake that particular brand of fame-by-association. Fans who got on board pre-Netflix know her as an incredibly smart, literate and poetic singer-songwriter with an eccentric streak. Her work has been refreshingly free of both the overly saccharine and the overly confessional tendencies that often plague female singer-songwriter-pianists. Spektor is, of course, a Russian emigre, and though it’s often very subtle, her writing and musical style is distinctly Russian. Russians are naturally wary of cheap sentiment and unnecessary intimacy, which helps account for the lack of the usual love song cliches and shrill emotionalism in Spektor’s work. Instead Spektor leans towards the literary, finding new ways to illuminate everyday emotions and experiences, using subtle metaphors and long-form narrative, all of which shows the unique influence of her background.

 

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