Push Th’ Little Daisies

Like a lot of people, this was my first Ween song. Of course, I was a good full decade late to the party, because my initiation occurred sometime in the mid-2000’s, while older generations got to enjoy the weirdness way back in 1992. In fact, now that I think about it, Flies On My Dick might have actually been my first Ween song. But, you know, same album, same difference. For a lot of people, though, this was their first Ween song. It became Ween’s “big” “breakout” “hit” after being featured on an episode of Beavis and Butthead, who, apparently, played the tastemaking role of Ed Sullivan for early 90’s MTV fans. As with the inception of American Beatlemania, an entire generation remembers that indelible moment in music and television history. Or not. But it was momentous enough to ensure that Ween would never have to make tapes in their basement again, unless they felt like it. Beavis and Butthead’s original verdict was “These guys have no future.” Beavis and Butthead were wrong.


Pretty Girl

How far into this song can you get before you realize it’s not what it sounds like? I mean, it is what it sounds like; it’s an old school country song with a lot of twang. But it’s also tongue-in-cheek in a way almost no old school country songs have ever been. Earnestness has always been the bane of country music; it’s music to cry in your beer to, gerd-dern it, and fans take their beer-cryin’ pretty seriously. What they genre really needed was a little touch of Weener in the night. So, if you like the musicianship of classic country, but hate the weepy cowboy and hard luck lady stereotypes, saddle up for Ween’s 12 Golden Country Greats.

Ocean Man

These guys, who have not been heard from in forever. Disappeared forever back into the cornfields from whence they came? Or just resumed normal life under their real names? Either way, I’ll always love Ween for being the musical bastion of weirdness for the entire bleak 90’s. I didn’t actually discover them until well past their heyday, but it’s nice to know they kept the freak flag up for more plugged in members of my generation. Who else could have made a psychedelic maritime concept album? In 1997, just when the world needed it most, too. They really filled a need that didn’t have a name.

Mutilated Lips

If I had known in 1997 how much weird and wonderful was out there, I would have been a much happier camper. As it was, I didn’t know Ween existed, and didn’t find out until much later what I’d missed out on. In those dark times, there really wasn’t any way to find out. Now we have little flashback timebombs flying out of the infinite ether of the internet all the time, breeding nostalgia for things we never actually personally experienced, but theoretically could have. I’m not immune to 90’s nostalgia – I’m the right age for it – and if it begets a Ween comeback, that would be awesome. Come back, guys, there’s got to be at least a little popular demand for your brand of weirdness-as-its-own-reward.

The Mollusk

Given their relative obscurity, it’s rather surprising how many times I’ve been asked what my favorite Ween album is. It may say something about the circles I find myself moving in, and it may be that unlike your average garden variety Beatlemaniacs, Swifties and Little Monsters, Ween fans (Weeners?) feel underserved and eager to connect. Anyhow, to them I say, my favorite Ween album is The Mollusk.

Mister, Would You Please Help My Pony?

“I think it’s his lung!”

So I thought yesterday just wasn’t enough Ween. One song isn’t enough to fully experience all the joyful absurdity. In terms of combining humor, musicianship and unapologetic weirdness, they have very few peers. To take the most random concept and just run with it, and built it into a musically great song – that is a rare and undervalued gift. Frank Zappa, with his Gregory Peccary and yellow snow, comes to mind as a similarly gonzo talent. Sparks, of course, are Ween’s nearest living kindred spirits. In general, though, there a woefully few musical acts with a real spirit of Dada about them. For most people, musical comedy and/or comedic music begins and ends with Weird Al Yankovic. Weird Al has his place, but pointing and laughing at things that already exist isn’t the same as creating fresh things to laugh at. So it falls to two weird looking dudes from New Hope, PA, who don’t even play together anymore. Also, I think that the pony is just a ruse, and the man is going to find an unpleasant surprise when he goes behind the trees.

Mister Richard Smoker

If you think this is a real ragtime song, you’ve been tricked by the boys of Ween. You’ll also be horrified to learn that Deaner and Gener are not even their real names. But they had you fooled. To their credit every song in every genre they’ve poked at is a perfect representation of that genre, until you tune it to the lyrics. Ween really are their own genre, though. They just exist to be weird. Or they did. I guess their doing their own things under their own names now, which is a bummer, but they’ve served us well.