Yes, this makes sense and I understand the sentiment. If Marc Bolan sounds like someone trying to sing in English despite not knowing the language, well, he was English and therefore spoke the language and that’s just the way he sang. It took him a few years to develop his elocution. Maybe he was embarrassed because his lyrics were about unicorns a lot? But honestly, having seen the actual lyrics (see below) everything kind of makes sense, at least in a poetic way. The images are great, so great I want to see them illustrated, I want them expanded and detailed and written out into a book.
She was born to be my Unicorn
Robed head of ferns
Cat child tutored by the learned.
Darkly ghostish host
Haggard vizier of the moats
Seeks the sandled shores of Gods
Baby of the moors.
The night-mare`s mauve mashed mind
Sights the visions of the blinds
Shoreside stream of steam
Cooking kings in cream of scream.
Jackdaw winter head
Cleans his chalcedony bed
A silken word of kind
Was returned from Nijinsky Hind.
Giant of Inca hill
Loosed his boar to gorely kill
The dancing one horned waife
In doublet of puffin-bill.
The beast in feast of sound
Kittened lamb on God`s ground
Ridden by the born of horn
Jigged like a muse on life`s lawn.
Comfort-music is part of a much-needed psychological self-care arsenal, along with your tea, your macaroni-and-cheese-adjacent-substance, your responsible self-medication and your small furry animals. I think it’s very called-for in times like these, and even when times are good. So on that note we’re on quite a roll with the psychedelic folk music this week, and I’m warning you, it’s not about to end. I have a lot more coming up in a similar vein, so you might as well make it a playlist. Relax, fire up a bong or whatever it is you do to unwind, and let the #bigmood take you. Because Tyrannosaurus Rex well never not be what the kids call a ‘big mood’ for me. Marc Bolan’s voice just gives me a deep sense of comfort and well-being. Psychedelia and fantasy provides an escape from the grind of reality, takes the sharp edges off a little, makes the hours go by a little more smoothly. Reality just conspires to bring you down.
Tyrannosaurus Rex is, apparently, not a universal taste. Later-era T. Rex is highly accessible and well known, but those pre-name change early records mostly elicit confusion. Maybe listeners are put off by Marc Bolan’s mushy mouthed delivery, or, if they can get past that, the odd subject matter. You’re just not high enough to really dig the bongos and children’s lit references, my friends. Listening to Tyrannosaurus Rex is like being absorbed in another world – you have to surrender to it and accept its weird rules.
Marc Bolan never did write a book about the adventures of Kingsley Mole and Lionel Lark. He became a famous rock star and lost interest in fairy tales and whimsical creatures. Or rather, fairy tales and whimsical creatures went out of fashion along with peace, love and idealism at the end of the 1960’s and Bolan was at the cutting edge of fashion. He was. This doesn’t sound like the composition of a man who was at the cutting edge of anything, but let me assure you that in 1969 all of the coolest people were reading The Wind in the Willows and trying to incorporate its rustic charms into their own writings. It wasn’t a more innocent time by any means, but there was a belief that the world could become more pure and loving, somehow, and reverting to childlike whimsy was part of that mindset. Then, of course, everyone gave up on that pipe-dream and starting doing a lot of cocaine and heroin instead. But it was a wonderful, charmed time while it lasted.
“His prophecies were you”
One minute and twenty four seconds of Tyrannosaurus Rex. That’s almost not even a full song. No, but trust me, it is an experience. I think that perhaps with the early Tyrannosaurus Rex albums, the songs don’t work so well out of context. The famous T.Rex albums that followed were a parade of hit singles, but this was a very different animal. The early albums need to be taken in as a whole. The songs flow together, and not one of them is anywhere near being a hit single. They may strike you as strange, especially alone like this, but they grow on you. You can’t help being charmed by Marc Bolan’s world, with its light mysticism and fantasy.
Where does this fit into Marc Bolan’s cosmology? Firmly on the elves and talking animals end of the spectrum, where Bolan explored childlike and whimsical realms of fantasy. In the face of history, it’s clearly the strutting rock songs about cars and babes that hold the place of honor. That’s what people respond to, and that’s where Bolan’s legacy lies. But the fey charm of the Tyrannosaurus Rex years has its own appeal, though it’s obviously not for everybody. It’s for people who never grew out of loving The Wind in the Willows, who like to get lost inside their own heads and see little faces in the trees and imagine the inner monologue of every animal.
So a hind is a deer, a female deer. Nijinski was a ballet dancer. Tyrannosaurus Rex was a band. A Nijinski Hind is a creature of otherworldly grace and beauty, a symbol of purity and natural magic. Or something. Are we all clear on Marc Bolan’s mumbly mythos? Bolan was always much enamored of fairytales and fantasy, before he figured out that people just wanna hear songs about sex and hot rods. Nobody wrote better sexy car songs than Bolan, but his magic-infused early songs have an entirely different charm.