Here is part two (out of four) of the best records of 2019. As I said before, it’s been an unusually good year, and it’s an unusually long and diverse list. There are new works from old favorites and new favorites from new discoveries. I tried to cover as many bases as I could
1. Ghosteen – Nick Cave & the Bad Seeds
Nick Cave continues to explore an emotional landscape of grief and hope, grappling with the death of his son and how, in the aftermath of a life-changing tragedy, to move forward as an artist. It is both depressing and as bracing as a dive into frozen water.
2. Heard It In a Past Life – Maggie Rogers
3. Help Us Stranger – The Raconteurs
Like a lot of fans, I’d just about given up hope that Jack White would bring The Raconteurs back together. But here they are, and it sounds like no time has passed. Except for being, of course, a little bit older and wiser, it’s the same folksy roots rock than we expect from a Third Man product.
4. I Am Easy To Find – The National
5. Ilana (The Creator) – Mdou Moctar
Every year, thousands of records are released by artists all over the world that never connect with audiences outside their own local niche. But every once in a while an artist emerges who transcends genre. Mdou Moctar, of Niger, combines Taureg and Berber musical traditions with psychedelic rock reminiscent of Hendrix and Santana, making a melting-pot of an album with global appeal.
6. In the End – The Cranberries
The Cranberries were one of the definitive alternative rock bands of the 90’s, but in the decades since, they had largely been forgotten. It took the death of singer Dolores O’Riordan to get them back in the spotlight, and this posthumous album is a reminder of why they should, by all rights, have stayed popular.
7. The Lion King: The Gift – Beyonce
The Lion King remake may have been an exercise in gratuitous CGI, but bringing Beyonce on board was the best decision the Disney studio ever made. Bey’s companion album couldn’t be further away from the schlocky show tunes Elton John and Tim Rice cooked up in 1994. Leaning on uptempo Afropop, it showcases messages of positivity, courage and empowerment that are accessible enough for kiddos who loved the movie and sophisticated enough for adults who love Beyonce.
8. Love + Fear – Marina
After a short hiatus, Marina Diamandis dropped the “Diamonds” from her stage name, and moved in new, more intimate direction. Ditching the high-fructose pop she became famous for, Marina focuses on the songwriting chops she never got enough credit for. This record may not be uptempo enough for Froot lovers, but fans will recognize a more mature version of the vulnerable/witty singer, and will luxuriate in her amazing vocals.
9. LSD – Labrinth, Sia & Diplo
I love it when huge pop stars follow up their huge successes with something totally unexpected. Sia had a very great couple of years, and she followed up her string of hits by forming a supergroup with Labrinth and Diplo. Like the best supergroups it brings out the best in the supers. It’s the irreverent, fun, one-off album that keeps superstars from taking themselves too seriously.
10. No Treasure But Hope – Tindersticks