I still can’t tell you quite what it means to be a rude boy. Because, you know, culture gaps. I know it’s a bit more than just a guy who likes ska. I also know that it was ska music that brought its own cultural youthquake from Jamaica to the United Kingdom to California. You can trace that history through pop culture from the 1950’s well into the 90’s. Here, we can concern ourselves the late 70’s, when ska was intertwined with punk and socially conscious British youth cared a lot about political instability in Latin America. We think of punk rock music as being a simplistic genre, probably because a lot of its practitioners never stray from the three-chord, three-minute structure. But if we try to understand the social context the movement sprang from, suddenly we’re learning about things like Thatcherism and it’s Late 20th Century History 101. Sountracked by The Clash, of course, them being the anointed ultimate punk rock band – the the antithesis of ‘ignorant punks’. Their music is loaded with global political context, so much so that fans who weren’t lucky enough to have been there personally need a study guide to really understand what they’re pumping their angry little fists about.