Tag: K.Flay

The Best of 2019 (Part 3)

I skipped out last week – I was busy! – but I haven’t skipped out on finishing the rest of this list. There’s so many more records left to discover and enjoy!

1. Norman Fucking Rockwell! – Lana Del Rey

Del Rey holding out her hand on a boat around a man

Remember when Lana Del Rey was an ingenue with lousy stage presence who bombed on SNL? Neither do I. Lana has slowly been accruing accolades as her work has matured, and now she’s made the most acclaimed record of her career. She’s become one of those rare artists who can maintain an aesthetic without impeding creative growth, and she’s finally getting the respect she’s always deserved.

Doin’ Time

Mariners Apartment Complex

Venice Bitch

2. Oklahoma – Keb’ Mo’

Image result for oklahoma keb mo

Kab’ Mo’ has been quietly keeping the blues alive since the 80’s, and he’s seen interest in roots music wane and ebb. Blues-based music may be at a bit of a low tide right now, but that doesn’t mean that it can’t be fresh and relevant in the hands of a master like Mo’ – and this master still has a lot to say.

Put A Woman In Charge

This Is My Home

Don’t Throw It Away

3. On the Line – Jenny Lewis

On the Line (Jenny Lewis album cover).jpg

This has been one of those records that everyone and their dog seemed to have been listening to all year. Jenny Lewis, of course, has been an indie rock darling for a solid two decades. With this confident and accomplished record, it’s pretty clear why.

Red Bull & Hennessey

Heads Gonna Roll

Wasted Youth

4. Only Things We Love – Blaqk Audio

Only Things We Love.jpg

There’s no lack of bands ambitiously trying to recapture the magic of 80’s New Wave, but not many of them actually do. Blaqk Audio is one that actually does, with a sound reminiscent of Human League at the height of their glory. It’s ‘reminiscent’ without sounding apish, and consistently fun, stylish and, uh, very gay.

The Viles

Muscle and Matter

Dark Arcades

5. Outer Peace – Toro y Moi

Toro y Moi - Outer Peace.png

Toro y Moi is a master of modern chillwave music, which is little bit like being a master of plating salads. That is, kind of an underrated skill set. This is eminently chillable music, in the very best way possible. Kind of like a really good salad.


Ordinary Pleasure

Monte Carlo

6. Pony – Orville Peck

Image result for orville peck pony

“Orville Peck” is an anonymous masked cowboy who croons like the second coming of Roy Orbison. With an image that makes reference to the iconography of mainstream Americana AND to the leather-daddy underground, Peck is camp of the highest refinement. Gay cowboy jokes aside though, he’s the best throwback crooner since Chris Isaak seduced Helena Christensen.

Dead of Night

Hope to Die

Turn to Hate

7. Remember the Future – Ionnalee

Ionnalee - Remember the Future cover art.png

The Scandinavian contingent continues to dominate the electronic music spectrum. Like her peers Karin Dreijer and Aurora Aksnes, Jonna Lee uses her haunting voice and ice-wraith image to create atmospheric music that is both chilling and soothing, and ever so slightly surreal.

Open Sea

Some Body

Remember the Future

8. The Return – Sampa the Great

Image result for the return sampa the great

The future of American music is being shaped by artists all over the world. R&B, soul, & hip-hop music, all as American as fortune cookies and fried chicken, can seem stagnant if you listen to what’s on the top of the charts. Maybe it takes an African woman living in Australia to make those genres sound alive again. Sampa the Great is a Zambian-expatriate who raps about life as a border- and identity- hopping citizen of the world.



Final Form

9. Rouge – Yuna

Yuna - Rouge.png

In a global world, we want our pop singers to be as international as our fusion cuisine. There’s a thirst for pop music that’s both exotic and accessible. Malaysian sensation Yuna is a cool fresh drink for everyone who’s been parched waiting for the next Kali Uchis. Yuna has Top 40-friendly pop chops, alright, with an eye on the global market too. She can collaborate with major-name rappers one minute and be singing in Malay a minute later.

Blank Marquee


Pink Youth

10. Solutions – K. Flay

K.Flay - Solutions.png

K. Flay comes off as your trainwreck bestie, the one who always fucks up the hardest but always manages to land on her feet. She might not be a very good singer, or a very glamorous person, but she’s a writer and performer who projects wounded tough-girl attitude. Each one of her records has been relatable, dirty and funny.

Not In California

Bad Vibes


Slow March

My blog doesn’t always reflect my listening habits in real time, so you probably didn’t know that I had been listening to K.Flay just about every day in 2018. Yeah, her and Yaeji. Blood in the Cut was a suitable soundtrack for a mental breakdown. … Continue reading Slow March

The Best Albums of 2017

And now, the moment you’ve been waiting for. Or dreading. Or, more likely, irrelevant and weeks too late to the party. 2017 is over and no one wants to think about it any more. It was a crap year, but crap years often inspire great feats of creativity. At least we had a tide of good music. Oh, so much good music…

1. Pure Comedy – Father John Misty


This is the album we deserve and need. It’s depressing as fuck, its bleakness relieved only by Misty’s signature hyper-articulate mordant wit. After the wedding album comes the hangover album. It’s the work of a man who’s snapped out of his honeymoon haze, looked around and saw the world all gone to hell. If there was one record I leaned on all year, it was this one.

Pure Comedy

Ballad of the Dying Man

Total Entertainment Forever


2. Low In High School – Morrissey


You would think that Morrissey, with his nasty eccentricity and tone-deaf statements and complete inability to learn from controversy, has outlived his usefulness as a public figure. Yet he’s still capable of writing some of his punchiest music, and musically at least, he’s still relevant and on-point. He’s still both narcissistic and self-deprecating, angry at the world, romantic, petty, and inexplicably interested in Israel. He may even have matured a little; some of the new songs are quite sexy, as befits a man with some life experience under his belt, no longer pretending to be a celibate little naif.

Spent the Day in Bed

Jacky’s Only Happy When She’s up on the Stage

I Bury the Living


3. Woodstock – Portugal. The Man


In a crap year, we kind of need a little escapism, a little fun. These guys have been plugging away for years, to little notice, but this year they finally hit the big time. They’ve always had a knack for great catchy tunes, tempered with a little darkness. They’re more catchy than ever, almost too catchy, like a tweaked out parody of catchy. Which is perfect, because we need to get tweaked on something that looks and tastes like pop sugar.

Feel It Still

Rich Friends

Noise Pollution


4. Lust for Life – Lana Del Rey


Well, I certainly couldn’t have predicted that Lana Del Rey would become one of the most consistent artists on the scene. She burst out in a blaze of way, way too much hype, and then she went and lived up to it. She likes to toy with romantic cliche in a way that both knowingly ironic and yet sincerely romantic, and she knows her way around retrofitted reference points. On this album she sounds like she’s beamed in from an alternate-universe Summer of Love, and it sounds nothing but timely.

Lust for Life


13 Beaches


5. Masseduction – St. Vincent


St. Vincent’s hi-fashion aesthetics may make her look like a ‘fun’ artist, but she’s actually a ‘dark’ artist, one who likes to explore the poses we strike in life. She can be depressing, she can be witty, she can be glamorous or scary, she can be all of those things all in one song. She’s one of those increasingly rare artists who work to please themselves, and end up with accolades they never aimed for, because they’ve hit on something pleases a lot of people.

New York

Los Angeles



6. Double Roses – Karen Elson

Double Roses

I don’t know about you, but I’ve been waiting for this record for years. Karen Elson’s first album became an instant classic for me in 2010. Now she’s finally back with her gorgeous voice, sophisticated songwriting and gothic folk/chamber-pop aesthetic intact. You gotta appreciate an artist who knows how to make the most of a harp solo.

Call Your Name

Wonder Blind

Distant Shore


7. Lotta Sea Lice – Courtney Barnett & Kurt Vile


Courtney Barnett deftly dodges our elevated expectations. And after the big breakout of her debut LP in 2015, the expectations couldn’t be higher. Instead of trying to live up to the hype all over again, she offers instead an informal-feeling collaboration with fellow deadpan songwriter Kurt Vile. It’s just as articulate and insightful as you would expect, with irreverent observations about the mundane and a sense of friends just having fun. Maybe they should form a band.

Over Everything

Continental Breakfast

Let It Go


8. If All I Was Was Black – Mavis Staples


I have a shameful confession¬† to make: I’ve never listened to Mavis Staples before this year. I know that she’s been a force in soul music for decades, and somehow, I’ve never paid attention. Maybe the thing that pushed this particular record into my conscience is its relevance. It’s an of-the-moment piece of work that’s politically relevant, from a veteran of the civil rights movement who can’t believe she’s still fighting the same old battle. But it’s not a work of anger and indignation, but an openhearted and optimistic one; as befits someone who made her name in the 60’s, Staples still believes that love can heal all of our rifts. And if she can, so should we.

We Go High

Peaceful Dream

If I Was Was Black


9. The Far Field – Future Islands


I can’t get enough of Future Islands’ retro-synthpop romanticism. Their music sounds like a collage of 80’s New Wave elements, but it’s far too emotional to ever be called a retreat. It’s something beautiful and brand new that sounds like something that’s been around forever. That kind of instant familiarity is what we look for in new music, and we rarely find it, but when we do, it’s like an addition to the family. Samuel T. Herring remains one of the most unforgettable vocalists of the moment.



Time On Her Side


10. Hopeless Fountain Kingdom – Halsey


Halsey is a young songwriter whose work is both intimately confessional and ambitiously high-concept. On her second album, she writes about the effects of fame (it’s no cure for loneliness) and the challenges of challenges of love, quotes Shakespeare, and ties it all together with a loose narrative about disaffected youth in a near-future world. It’s catchy, modern, and ready for heavy airplay on indie radio at least, but satisfying challenging and personal.

Now or Never

Bad at Love



11. Every Where Is Some Where – K.Flay


K.Flay is an artist whose work can be called post-genre. She’s been called – nominally – a hip hop artist, but that doesn’t cover it. She’s pulling sonic influences from all over, but her writing is confessional, almost emo. It’s also her strength. Sometimes dark and laced with profanity, sometimes vulnerable, sometimes funny. She’s part of a new generation of female artists who present themselves as unapologetic anti-heroines, telling their stories, taking pride in their honesty and pain, not afraid to be get weird and ugly. This is her second album.

Blood in the Cut

High Enough

You Felt Right


12. Melodrama – Lorde


Last but not least in the series of outstanding second albums by precocious young women. Who could forget about Lorde? She was the teenage prodigy sensation of 2013 and now she’s almost all grown up. Sure, first love and first fame aren’t exactly fresh topics, and, no, there’s no way anything could be as unexpected and original as Pure Heroine was. But Lorde is approaching those topics with her usual wiser-than-her-years aplomb, and she’s still unique in her eccentricity.

Green Light

Perfect Places

Homemade Dynamite


13. Salutations – Conor Oberst


Conor Oberst used to be the teenage prodigy sensation of his time. Now he’s just another nearly-middle aged man who’s not as relevant or as cute as he used to be. That could be a cue to drop off the map. Or it could be a cause for renewed inspiration. It’s frankly great to see a major songwriter, who the emo generation grew up with, becoming mature and staying interesting. Also, what best of- list is complete without a shoutout to Oliver Sacks?

A Little Uncanny

You All Loved Him Once

Gossamer Thin

14. Brick Body Kids Still Daydream – Open Mike Eagle


This is the first time I’ve featured a hip hop album as one of my favorites. As you may have noticed, hip hop accounts for a huge swath of today’s pop culture, and it’s something I’m slowly educating myself about. This is a great place to start; it’s free of the aggressive posturing and machismo that makes most mainstream rap (and frankly, most mainstream anything anymore) so unappealing. Open Mike Eagle isn’t here to beef with other rappers or name-check the designer brands in his closet. What he offers is smart, personal, relevant songwriting that cuts across genres. Michael Eagle does standup on the side, and his wit lightens every track (and especially evident in videos.) Also, bonus points for year’s best Bowie shout-out.

Brick Body Complex

95 Radios

Happy Wasteland Day