Tag: Broods


This is the first of a string of songs named Sober, which invites a series of conversations about sobriety. An important topic, to be sure. However, this song by Broods is not actually about sobriety. It’s a plaintive love song, which invites a conversation about … Continue reading Sober


Broods are one of last year’s big new discoveries. They are a sibling duo from New Zealand, and as a quick Google search helpfully informs me, Taylor Swift “discovered their music from an iTunes recommendation after she purchased Lorde’s album.” You and a lot of other people too, Tay. I personally discovered their music through listening to indie radio. But apparently ‘dreamy-voiced girls from New Zealand’ has officially become a genre in the 18 or so months since Lorde broke big. All that being said, Broods’ music doesn’t remind me of Lorde, and although it’s an unfair comparison, more power to ’em if the association help boost their career. Their music is in the same catchy/atmospheric ballpark as yesterday’s offering from Broken Bells (you may have noticed they share song titles.) Georgia and Caleb Nott are still very new at this game, and while they’ve tossed out some very catchy singles and their debut album was consistently solid, they’ll have to mature quickly to distinguish themselves from Chvrches, Pure Bathing Culture, Grouplove, London Grammar, Banks and a host of other promising young artists working in similar vein. Now taking bets on who among this lot will still be important in five to ten years. (Lorde, definitely Lorde.)

2014 Songs of the Year

I planned to do this last year but didn’t, so now I’m expanding my annual best-of. There were a lot of albums I loved, but many of them didn’t make the official list. So here are my favorite non-album hits for the year. In no particular order.

She Moves (Far Away) – Alle Farben feat. Graham Candy


Debut single from German DJ Alle Farben (real name Frans Zimmer.) A big hit in Europe, which is where I first heard it. A catchy song, a cute video, and a lot of memories.

212 – Azealia Banks

I’m bending the rules here, since technically, this song was first released way back in 2011 (although only in the UK.) Like many other edgy people, Banks had to make it big in Europe before getting a break in America. Her first full length album finally came out in the end of 2014, and this single is making the rounds again.

Boys in the Wood – Black Lips


This got a lot of airplay back in the spring, which is also when I caught these ATL punks at SXSW. They put on a fierce show.

Istanbul – Morrissey

World Peace is None of Your Business was a bit of an uneven affair, but this single is beautiful. The video I’ve included, although handheld and shoddy looking, was shot at Austin Music Hall on May 24 2014, a show which I attended and where I first heard this and many other new songs. Morrissey is in great vocal form.

Coming of Age – Foster the People

Foster the People may never live up to, or live down, their breakthrough hit Pumped Up Kicks, but they’ve done a pretty good job trying. I have driven many a commute to this on the radio, and it’s dang catchy.

Empire -Shakira

And the stars make love to the universe…” Shakira continues to be both awesome and faintly ridiculous. It takes a special kind of chutzpah to make the phrase “And I’m like – woo woo wooooh” the lyrical focal point of your song. But somehow it works, maybe because she really is all like woo woo.

Coffee – Sylvan Esso

Another one of those songs most often experienced while driving. An unorthodox radio hit, to be sure, but gently hypnotic and irresistible. Sylvan Esso’s debut album was a near-miss on the best-of list. Better luck next year?

Water Fountain – tUnE-yArDs

Did somebody say ‘unorthodox’? Tune-Yards easily takes home the award for Weirdest Hit Single of the Year. Likewise their album.

Warm Water – Banks


Also technically not released in 2014, but very predominant on the radio throughout the year. Banks (no relation to Azealia) released her full length debut, including tracks from previous EPs. The record has been justly acclaimed, and just may be the best bedroom album of the year. (That’s totally a category.)

Holding On for Life – Broken Bells

Broken Bells’ was another one of those standout records that didn’t quite make the final cut. A shining example of New Wave, psychedelic and electronic influences all pulled together in a modern way.

Mother & Father – Broods

Also on the Fake New Wave front, Broods are a breakout duo from New Zealand. There are a lot of promising electropop duos storming the world of indie radio right now, and we’ve still to see which ones emerge from the pack as important talents. Broods is definitely one to watch.

Cookie Thumper – Die Antwoord

Die Antwoord have yet to make a consistently satisfying album, but you can count on them to deliver at least a handful of memorable singles. Say what you will about them – they are very much not for everybody – but they are one of the few acts who can boast of a fully formed and truly original artistic vision.

Seasons (Waiting On You) – Future Islands

Future Islands is distinguished from the rest of the Fake New Wave/Electropop field by Samuel Herring’s unique and emotive vocals. Herring has earned comparisons to early-comeback-era Marianne Faithfull, of all people, and I can hear that. I can also hear a lot of Blue Eyed Soul.

Take Me To Church – Hozier

This song went from local hit in Ireland to total worldwide ubiquity in what feels like moments, although it actually took well over a year. The same goes for the artist; a few months ago Hozier was a complete unknown, now he is presumably well on his way to real stardom.

2 On – Tinashe

I happened to catch a Tinashe show at SXSW last year, having absolutely no idea who she was. That show also happened to be the first time Tinashe performed this song. Since then, her star has been rising. Although the commercial-R’n’B market Tinashe is aiming for is not something I normally want any part of, I do find her success gratifying. She has a great voice and I can attest she puts on one hell of a live performance.