Brian Eno remains the undisputed master of ambient and cinematic soundscapes, despite many people’s attempts to compete with him. Eno’s genius was to bring a pop sensibility to instrumental music; and to write pop with a composer’s ear. Obviously, it was pioneering and unusual for a member of a rock band – even one as strange and unusual as Roxy Music – to cross party lines and dabble in long-form composition. It was the pop songwriter’s insight that fully realized instrumental compositions could, like pop songs, be very short. So it turns out that one of Eno’s best known works is also one of the shortest: The Windows ’95 startup sound.
Before there was Moby, there was Eno. That is obvious. Before there were most things, there was Eno. MGMT even wrote a song about it. Brian Eno is the slow, inexorable trickle-down effect of personal weirdness bleeding influence into everything around it until it’s come to subtly dominate huge swaths of popular culture. This is why you have half-ambient car commercial pop music as its own genre now. This is why we have a lot of the pop trends that we have, but as always, the original is better and more interesting.
And now, two minutes of ambiance. If you’re so inclined, Brian Eno has hours’ worth of ambient music to nod off to, but I think a few minutes is enough. On Another Green World, Eno transitioned from traditional – if weird – pop based song structures towards the aural wallpaper concept he would thoroughly pioneer over the next few years. The great thing about the instrumental parts here is that they are still recognizably self-contained songs. They’re fun to listen to, whereas the point of the later discreet ambient music for bus stops is that you can’t really listen to it at all. Fire Island, for whatever it’s worth, is a strip of land off the coast of Long Island that has been known since the 1970’s as a vacation destination for the gay community. So this may well be Brian Eno’s big rainbow-flag moment, presented in a characteristically oblique manner.