Miho Hatori and Yuka Honda may have disappointed their fans when they broke up Cibo Matto, but we can be grateful for their legacy, and how much the pop music landscape owes to them. They can both rest feeling very satisfied that they’ve lived to see the things that made them a novelty in the 90’s become commonplace. Now we can proudly say that weird, multicultural, homemade-sounding music made by eccentric young women is an entire genre all its own. In 1999, however, Cibo Matto were a genre of one. They overturned the tropes of what two Japanese-American girls were expected act and sound like, used computer editing to alter their vocals and create collage-like sound effects, wrote about weird things that no one else was writing about, picked like magpies from any genre they liked, made a concept album about their favorite foods, earned the personal mentorship of Yoko Ono, wrote a concept album about a haunted hotel, broke up and got back together, went on to found other groundbreaking projects like Gorillaz, and just generally made a career out of being too weird to pin down. Truly, one of those cult bands that made a huge ripple just by doing their own thing for a handful of supporters.