Spare Parts II and Closing


One gets the sense that all Tom Waits ever wanted was to be the piano player at some burlesque joint, preferably down the street from a greasy spoon. He really missed the boat on that one, growing up just when burlesque was going downhill. But he’s compensated for it by dedicating his career to weaving a vision of an alternate Americana where speakeasies remain the center of social life and dames still carry flasks in their garters. It’s hard to name anyone else whose work has been so untouched by the decades. Tom Waits sounded unstuck in time in the 70’s, he sounded unstuck in the 80’s, and he still sounds unstuck. The only change is that he’s gotten more fearlessly weird over the years. Obviously, it’s a timeline that plenty of people would happily trade all their modern amenities for.

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