In 1975 Tom Waits was seen as just another prematurely hoarse young man in a porkpie hat singing earnest songs about the travails of the drinking classes. Not entirely dissimilar from Bruce Springsteen or Randy Newman. It wasn’t selling him a whole lot of records and it wasn’t bringing the accolades either. Waits was just itching to get weird with it. So he decided to record a live jazz album, which was just about the least cool thing in the world at that time. In time, Tom Waits would grow so fully into his ‘weird guy on the train mumbling to himself persona’ that playing some version of himself in movies would become a lucrative side gig. In 1975, however, it was an absolute novelty, and a big gamble. Surprisingly, it became his biggest hit to date. Unsurprisingly, his record label fired him anyway. But the character was born.