I love everything about this. It should have been a single. I can envision an alternate universe in which the Rolling Stones murdered their long-term career with one inexplicably successful vaudeville-inspired novelty hit song. They’re now eking out a living playing cornball versions of other people’s hits in dive bars in the north of England. (Brian Jones went on to become a successful record producer in this scenario. He lives in a castle.) Nobody ever envisioned the Rolling Stones being an oom-pah band, but they’re pretty close to it here, and maybe they would’ve been a good one. Ironically enough, for a song that sounds like something your granddad grew up drinking pints to, it’s about the wild new experience of LSD. Because everyone who took drugs for the first time had to write a song about it. The Stones, of course, had to do it differently. Not for them trying to recapture the cosmic magick of an acid trip with lots of mellotron and a sitar solo. They must’ve found the experience deeply comical and absurd more than grand and cosmic. They’re not wrong. The drug culture that sprang up in the 60’s was very often absurd, and could be seen as comical if people didn’t die so much. Anyway, the Stones were often amused by other people’s delusions of grandeur, and they were most likely having a laugh at the expense of other people’s pretentious LSD songs.