I discovered Hurray for the Riff Raff by stumbling into a SXSW performance, back when SXSW still meant something. I was a little blown away. Alynda Segarra is both very tiny and cute and an incredibly powerful performer, someone seemingly grew out of centuries of troubadour tradition like a pithy fruit. We don’t really talk about protest music anymore, because it’s been decades since anyone has used music as a political tool in any organized way. We forget the impact of effective political songwriting, and it’s too bad. Good music is just what the revolution needs.