It’s not very often when the remix outshines the original. On one hand, I am very pro remixes of things that weren’t meant to be remixed, like jazz classics. On the other, there’s nothing more annoying like gratuitous remixes of pop songs being tacked on to the end of albums, as if they were a very special bonus that people are supposed to be excited about instead of the exact same song with a slightly different tempo. And as for songs that were electronic dance songs in the first place already, the point just escapes me completely. It’s mostly just a cynical attempt by no-name DJ’s to ride on the coattails of artists who do have name recognition. But there’s exceptions to every rule, and sometimes the remix outshines the original. Two examples of remix albums that that more than hold their own against the original production are Kraftwerk’s The Mix and Goldfrapp’s We Are Glitter. Obviously, these are two artists who know their way around with production trickery. In Goldfrapp’s case, the songs all benefit from an up-temped more aggressively dancefloor ready mix, since Goldfrapp is sometimes given to put atmosphere over beats.