A Singer Must Die


What a bleak record. I haven’t listened to New Skin For the Old Ceremony is several years, and it’s never been one of Leonard Cohen’s records that I think to reach for. Though you wouldn’t call Cohen a sunshiny guy on the best of days, so much of his work is uplifting in the sense that it’s loaded with spiritual portent. This records, however, feels somehow bitter, as if the singer himself were having a reckoning with his calling. Everyone is entitled to a low point, and if Cohen didn’t have the best time in the mid-seventies, he’s entitled to his own rock bottom.

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