Sing Another Song, Boys

Leonard Cohen can give anyone a run for their money when in comes to portentous narrative ballads, except that his narratives don’t tell stories as such. Cohen really doesn’t get enough credit for his use of surreal imagery; so much of his writing evokes the fever-dream quality of art house French movies (that drives a lot of people away, I know, I know.) The man started his rock career already a published poet and novelist, for goodness sake, he knows his way around a deft metaphor. He knows how to sound like a bard in a Medieval alehouse, he knows how to take the same dumb topics all poets have danced around for millennia and make them sound like they’ve never been touched before, and all the while the bard has the weariness of the modern man who knows that his millennium may be the very last one.