I’ve been following Jake Bugg since day one, and the kid’s been pretty consistent, even if he’s outgrown the wunderkind hype. But nothing he’s done since 2012 has compared to his debut. Understandably so; the huge impression his first record made was due in part to the wonderment that something so completely well-formed and characteristic could come from a teenage boy with no previous show business experience. It’s the kind of debut that feels really special because it’s so unexpected. The same level of sophistication loses its glow when it’s coming from a guy now in his mid-twenties, and that’s the burden of being an early bloomer. But that doesn’t make the record a novelty or a flash in the pan. It’s held up and probably will continue to hold up better than most of what came out in 2012, because it doesn’t sound like a product of its time. It sounds like the work of someone who doesn’t care what time he’s living in.