Running for Our Lives


For many of the icons of the 1960’s, the 80’s were a time of reckoning. “What’s the deal with this permed hair and these synthesizers?” they thought. “How can I get in on this and prove that I’m still relevant and cool?” Let’s just say that there were a lot of embarrassing mid-life crises. For Marianne Faithfull, the opposite was true. She was one of the most iconic faces of the 60’s, but she spent most of the seventies with a needle in her arm, far too far gone to care about her own relevance or anybody else’s. For her, the 80’s were a time to finally take the reigns of her career, get her life back on track, clean the drugs out of her system and become an artist who wasn’t defined by her looks or her male companions. The series of rock albums she made starting in 1979 were a statement of purpose. They were angry, painful, mournful, disturbing and relevant in a way that her earlier work simply hadn’t been. Also, she was smart enough to know that at her age, she needed less hairspray and spandex in her wardrobe, not more.

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