Room off the Street


I love pulling out the most obscure songs from albums I haven’t listened to in a long time, which you’ve probably listened to never. It’s like opening up a box in the attic. It’s memories and it’s feelings I don’t remember. I also really love it when the artist pulls out their most obscure songs. That’s like them giving us a gift box, from their own attic. I’m almost certain that Suzanne Vega never played this song after releasing it in 1990, until pulling it out for this show in 2000. If you’re familiar with Days of Open Hand, you won’t recognize the arrangement. You’ll notice she’s ditched the prominent woodwinds that made the original so mournful and made the handclaps snappier. Arrangements aren’t something I nerd out on, not being a musician myself, but what interests me is the value artists find in their own work. Certainly, they value the work that makes them the most money, but what about the things that don’t make money and just exist for the memories? Suzanne Vega, for one, has been very interested in reevaluating her own back catalog. She’s rerecorded a series of her old songs, releasing compilations that take songs from different albums and mix them together by theme. This repackaging might seem redundant, since the new recordings don’t sound radically different from the old ones, but it’s about changing the context of the songs to make them play in a different light. I can see how that can be an immensely fun project for the singer, and it’s really aimed at the fans who are deeply invested in the material. I admire that.

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