Rill Rill

Whatever happened to Sleigh Bells, you ask. Well, they’ve been consistently working and putting out albums. They just released an EP, cleverly titled Kid Khrushchev, a couple of months ago. And they’ve been consistently good albums, too. The reason you’re not hearing hype about it is because in the past seven years, what Sleigh Bells were doing has become what everyone is doing. There are so many groups out there mixing noise pop with grunge rock with feedback with harmony vocals with bad gal attitude. In 2010, Sleigh Bells were the only noise pop grunge duo, and they – for lack of a better word – slayed us with their originality. It’s hard to overstate that. When I first heard Sleigh Bells, it was like nothing else on the radio. Treats was one of my most-played records that year; I couldn’t stop blasting it over and over. It was so fresh, so LOUD, so take it or leave it, so much fun. That’s not an impression that’s easy to make twice, and since then, Sleigh Bells have become just another cool-girl rock-pop band. They’re still good, but they’re not the frontline anymore. But they really kicked off the decade.