Queen Bitch

In which David Bowie steals – “with love!” – The Velvet Underground’s light and heat. Stealing with love, of course, has been David Bowie’s mo throughout his career; it’s what he does. And he was certainly better qualified than anyone to dip into Lou Reed’s narrative bag of drag queens, hustlers and various wild side characters. Lou Reed, though, was a journalist with a guitar and he wrote about real people and their real lives, as he saw them. David Bowie wasn’t all that much interested in reality, except possibly as an existential concept. In his interpretation of the same milieu, the element of fantasy replaces the element of grit. It’s like a Lou Reed song performed by one of Lou Reed’s characters, which I think is exactly the intention.

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