Sometime in the mid-1980’s, Kurt Cobain read a news story about a teenage girl who was kidnapped hitchhiking home from a concert; a pretty typical modern-day horror story, unusual only in that the victim managed to escape and went on to talk about her ordeal. Cobain was disturbed by the incident, which occurred in the Seattle area, and like any poet, dealt by writing a song about it. Obviously, some creative liberties were taken, but that is what makes it an interesting piece of work. The writer sees the relationship between perpetrator and victim as one of sick symbiosis. The condition of a man who would resort to the lowest depravity may just be a very extreme form of loneliness and alienation; he’s isolated and bored, so desperately out of touch with his own or anyone else’s humanity that only meaningful connection he can make is through violence. What about the victim, on the other hand? Here the artist takes a bold liberty, a controversial one. Is it possible that in her 14 years, being tied up and tortured by a filthy old man is the most attention she’s ever gotten? If someone is lonely, alienated, bored and ignored, then being a kidnap victim is the most interesting and important thing that’s ever happened to them. In a perverse way, they form a bond; they’re both experiencing the most intense experience they’ve ever experienced. That doesn’t make it not wrong, and it doesn’t make it worthwhile, but it does make it psychologically complex in a way that we don’t like to talk about.