Would you look at those nerds. Their harmonies are angelic; their haircuts, terrible. In fact, looking at them now, I wonder if they weren’t the inspiration for Beavis & Butthead. Well, Simon & Garfunkel may have looked like bozos, but there’s no arguing with those harmonies, those melodies or that writing. Those two were both the kind of guy who seduces you by being the smartest person in the room, and wins you over completely by being the most sensitive too. How does this song, for example, not sink under its own verbosity? It has the confidence of its own cleverness, of course, but it also has heart. Paul Simon may be flexing his English Lit muscle with what may be the most pretentious closing couplet of all time, but he’s also turning a sympathetic eye on the unseen figure of the lowly subway vandal. Guys who spray paint subway cars have inner lives too! Maybe the hooligan has poetry inside him, poetry that only takes the form of gutter slang. Maybe that dick carved onto the hard plastic of the seat really meant the world to the person to took the time to chisel it there.