Penny Lane


Out of all the things to love here – of which there are many – the thing I love most right now is the image The Beatles present of themselves in the video. Although they were, at that point in their career, treated as artistic demigods and were (as they remain) the most seriously respected rock artists in the world, they apparently still wanted to be seen as an adorable band of brothers who exist in a whimsical alternate universe full of mad tea parties. Perhaps that can be pinned on the simple reality that their degree of fame made them isolated even from their rock star peers, let alone civilian life. But it seems that even The Beatles themselves liked the idea that The Beatles were more than four guys tied together by a shared occupation, more even than a family; they were a singular unit of a sort that generally exists only in works of fiction. They were like characters in a children’s story, a set of toys brought to life by the imagination of some cosmic Christopher Robin, or a team of wacky-adventure-having boy detectives. The Beatles managed to mythologize themselves to such a degree, and so swiftly and effectively, that they became, in essence, living cartoons. While at the same time occupying the very highest creative pedestal. It was a stranger-than-fiction effect that even Paul McCartney looks back on in bewilderment.

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