I’ve been listening to a lot more Nina Simone lately. I can’t say that I’ve just discovered her; she is a legend who doesn’t need to be ‘discovered’. But I’ll say that I’m really feeling her music in a way I didn’t before. It’s all part of trying to slowly learn more about jazz. Simone established herself as one of the great jazz vocalists at a time when being a great jazz vocalist was becoming a less and less relevant position. Singing and composing jazz was a tenable way to become a star in the 50’s when Simone began her career. But while the cultural changes of the following decades made most jazz musicians fall out of popular regard, Nina Simone managed to become more important and prominent. This was thanks to her involvement in the civil rights movement, her outspokenness, her socially conscious and politically charged writing, her Afrocentric personal style, and her general reluctance to be made polished and nice (as so many black entertainers had been forced to do in order to enter into the public sphere). Though her more politically charged songs may be what she’s best known for today – and for good reason – they’re the tip of the iceberg. She wrote and sang with unprecedented honesty about the specific burdens of being a black woman, but she could just as easily elevate the most basic love song. There is no message in this particular song that isn’t found nearly verbatim in Sonny & Cher’s I Got You Babe. The difference between ersatz sentiment and genuine soul lies in the delivery.