One of These Days


I’m still waiting for the day when I drop acid and watch Pink Floyd Live at Pompeii. That seems like a very necessary thing to do in life. In the meantime, it’s still a film worth watching again and again. It’s Pink Floyd at the height of their powers, and that’s enough to make for a fascinating document. I like all the footage of ancient artifacts and arid landscapes, but that’s not really the point. You could say that the act of playing, without an audience, in the middle of a ruined city represents something about the band and their spirit of innovation, as in, you know, they’re just playing just for the sake of pure artistry, man. Or you could be cynical and say it’s just a visual gimmick. I’m leaning towards the former; you rarely see so much joy in pure innovation and creativity and just playing for the sake of it. You also didn’t see much of it again either, not after the big hits started coming. Maybe success didn’t curtail Pink Floyd’s innovative ambitions, but it definitely put a damper on their sense of joy and their unity as a group.

 

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