As these things often happen in our culture, The Clash’s classic album Sandinista! is now better known here than the political movement that gave it its name. I suppose that not many rock fans cared much about regime changes in Nicaragua in the 70’s either, except as another disturbing news story in an era marked by anger and unrest. On the other hand, it’s understandable why English punks latched onto the Sandinista movement; the Nicaraguan revolution and ensuing civil war struck a chord with young people who felt politically dispossessed, economically burdened and hopeless. For the worldlier and more intellectual on the scene, political awareness was an important part of their anti-authoritarian identity. The Clash drew parallels between the political violence in Nicaragua and other places, and the roiling anger of the disaffected English poor. In the late 70’s it seemed very possible that the UK too would fall into the same chaos. It didn’t, and in hindsight the angry punks look more angsty than genuinely threatening, but at the time the existence of a violent, dissatisfied youth movement that identified (however peripherally) with South American revolutionaries must have been unnerving.