1979, a big year for the ‘disco sucks’ movement. Also the year that Sparks would have a big hit with a Giorgio Moroder-produced parody disco song. How ironic is that? If the parody is better than the real thing, why wouldn’t it be a hit, though? And that’s kind of what Sparks have always done best, with or without the reward on having a big hit out of it. Disco is kind of a soft target, but it sure is fun.